Romantic imagination has been the underpinning philosophy of almost all of the later intellectual and artistic movements until present. Romanticism, thanks to wide arrays of definitions as well as examples attributed to it and also due to its paradigmatic shift in man’ s perspective from “ general ego” to “ individual ego” , in one form or another is permeated in most of literary and artistic schools and movements. Romanticism, which originally was the outcome of its opposition to the strict framework of classicism, reappears more protesting than ever in Postmodernism which is in itself the outcome of man’ s frustration of modern principles and frameworks. The present article with a comparative approach, while focusing on the similar literary features of Romanticism and Postmodernism in Iran, aims to explore and investigate the correlation of these two movements. Studies demonstrate that postmodern Poetry both thematically, in its protest and denunciation, and formally, in its linguistic deviation, has a close connection with the black Romanticism of 30s and language-oriented Poetry of 40s. By incorporating the formal pattern of postmodern writing and adopting a polyphonic Poetry, it strives critically to appropriate the old Persian poetic style for the new worldview and offer its own distinct poetics.

Purpose: The present research aimed at finding an answer to the question of the process of influence of cyberspace on Iranian Poetry in the future, and the influence of cyberspace on various aspects of Poetry such as content, its audience, the poet, the media that published the poem, the process of composing the poem, the rights of the author, and Globalization of the Iranian Poetry. Method: The Delphi technique was used to carry out this research. A group of experts comprising professors in the fields of Communication and Literature was selected. The expert’s opinions were collected and analyzed through an in-depth interview, a questionnaire based on the Likert scale, and by the execution of three stages of Delphi rounds. Findings: Accordingly, considering the content, the experts predicted that due to the impact of cyberspace, the quality of the Poetry will be reduced and consequently, the language of Poetry will become simpler and close to prose and it will only reflect the daily events of life. Regarding the audience, they concluded that the audience’s selection power will be increased, however, we can differentiate between the public and professional audience. With respect to the sender, there will be no phenomenon of multi authors, and regarding the channel, the experts agreed upon Media Convergence besides, the poets’ agency in publishing their own poems will be increased. Conclusion: Experts believe that the spread of communication technologies will make censorship ineffective. This is the only case in which the group believes in the impact of technology on the future of Poetry. The group of experts did not reach a consensus regarding the impact of technology on the phenomena such as publication of author’s poems as one’s original work and the Globalization of Iranian Poetry, thus, analyzed these items in the framework of the human agency.

The Iranian women's literary field was formed in the 1960s as a sub-field of literature, which was the result of political, economic, and social changes in the country and the change in the habits of the actors of the literary field. In this research, according to Pierre Bourdieu's approach, which is relevant in the field of sociology of cultural productions, we discussed how the female literary subfield was formed by Forough Farrokhzad, Simin Daneshvar, Tahereh Safarzadeh, and Simin Behbahani. The works they have created in this decade have also polarized the field due to the type of capital, habit and stance they have. The results of the research show that Farrokhzad and Daneshvar are in the center of the women's literary field with modernism, Safarzadeh is in the ideological pole of Islamist (neo-religious) and Behbahani is seen in the direction of literary return with classical literature. In the following, we examined Farrokhzad's actions in this decade in a case-by-case manner, which includes changing the face of a poet, moving from romanticism to symbolism, depicting oppression in society, fighting injustice, depicting suffocation, etc.

NSP1 protein is the first produced proteins of SARS-CoV-2, the virus which is responsible for Corona disease, sited at the beginning of 5́ end of virus gene number one. NSP1 bonds to Human 40s ribosomal subunits has potential roles in host cells mRNA translation inhibition.to clarify subtle molecular reasons of carrier animal’s pathogenicity, we used bioinformatics tools and 7k5i file structure acquired from PDB data bank to investigate interactions and internal bonds of 40s ribosomes. Majority of NSP1 interactions involve 18SrRNA ribosomal subunit and one of ribosomal proteins. These bonds are at A605and G600,601 nucleotide positions in 18SrRNA leading to both physically and spatially disrupting existing internal interactions in this subunit which eventually could cause ribosome to lose its function. Additional to 18SrRNA, NSP1 also bonds with three ribosomal proteins: S2, S3 and S30.alignment comparison of these molecules in Human and other mammalian in one hand and between Human and carrier animals such as camel and manis in another hand showed for example camel S2 protein is more like manis instead of being genetically close to human or cows. These crucial findings strongly support important role of NSP1 in translation inhibition of host cells

BACKGROUND AND OBJECTIVES: One of the most important approaches of Bakhtin is carnival humor. The carnival shows all the components of folk culture and is the most complete form of popular culture. Literary works are influenced by the realities of life and interact linguistically with their surroundings. The novel is the most prominent type of literature that most closely resembles real life. Carnival humor is an approach that can generate important and new research areas for re-evaluating the novel. The presence of linguistic and literary elements of carnival humor in selected novels of the 1940s and 1950s is not the same; But what matters is the carnival spirit of the carnival, which also influences other elements of the novel. In this regard, the analysis of the linguistic and literary aspects of carnival humor with selected novels is the aim of this article. The present study seeks to answer the question: what are the most important linguistic and literary components of carnival humor in selected novels of the forties and fifties? METHODOLOGY: This research has been done by descriptive-analytical method. FINDINGS: Socio-political satire in selected novels of the forties and fifties with many linguistic and literary components of carnival satire such as slang, irony and slang proverbs, simile satire, expansive satire, grotesque and all kinds of verbal, rhetorical ironies. Socrates is aligned. CONCLUSION: One of the important features of the socio-political novels of the forties and fifties is the carnival satire in which critical writers criticize and expose the unfavorable political and social events of the society in their works with the language of critical satire mixed with jokes and ridicule. Public opinion. Descriptive humor along with verbal humor that sometimes appears as mockery, ridicule and ridicule. In the works that are in line with the humor of Bakhtin Carnival, one can see the traces of Carnival politics and protest in such works. In the text of the carnival, Everything that is common in formal culture, is found.

Nuclear emergency management prioritizes minimizing radioactive releases to protect public health and environmental systems. Radiological incidents can cause widespread ecosystem contamination with multi-generational consequences. This study employs predictive modeling to assess risks across all incident phases using computational tools and analytical methods.This study evaluates a hypothetical accident scenario involving a one-hour atmospheric release of 137Cs from a Russian KLT-40s small modular reactor (SMR) during peak operation in the Chabahar region. Utilizing the RASCAL computational code, a regulatory-endorsed tool for radiological emergency response, the research analyzes the isotope's dispersion dynamics over nine hours.This paper provides both a methodology for identifying hazard zones and a decision-support resource for emergency management officials during incident response. Implementation of fundamental protective actions, based on established protocols and real-time incident conditions, remains the responsibility of local authorities according to quantified risk levels.

In his short stories and novels, Tangsir and Sang-e-Sabur, Chubak is trying to shed light on the dark aspects of individual and social life of Iran in 30s 40s in the 14th century. His works mirror up the real face of contemporary Iran in those hectic years. In so doing, he attempted to depict and embody existing social violence, hostilities, crimes and the ominous fate of miserable people. The primary concern of the present article is the critical analysis of intellectual principles in his novel Sang-e-Sabur, while reading his other works in the light of their concerned schools as well as a critical review of motifs of his short stories.

Nima, founder of modem Persian Poetry, revealed romantic tendencies especially in his earlier poems, maintaining a milder romanticism for the rest of his life. The purpose of this article is to explore Nima's romantic tendencies and his views on romanticism regardless of his Poetry. Nima's romanticism borders the social romanticism of the constitutional period and the sentimental romanticism of the 20s and 30s. The main characteristics of his romantic Poetry are as follows: romantic love, desire for nature, primitivism, idealism, subjectivism, desire for isolation, appreciation of the Poetry of European romantic poets, etc.

In 1960s and 1970s, deep changes took placed in different dimensions of Iranian social life. Among these changes, the rapid can uneven growth of unbanization can be mentioned, which was the result of the events such as implementation of land reforms, the development of bureaucracy and government institutions, the increase in oil price and government revenues, as well as implementing the modernization program in an accelerated way by the government. These changes has also had an effect on intellectual and cultural representations, and various researchers have studied this topic in cultural and artistic works of these years. In spite of paying attention to the social contexts in the explanation of the various products of these years, this topic has not been given much attention by researches in relation to the pictur books for children and adolescents. After the implementation of new government policies in the field of culture and education, new institutions were established to implement these policies. One of these measures was the foundation of children and Adolescent Intellectul Development center in 1965. Following the foundation of children and Adolescent Intellectual Development center’s publication in 1966, this institution acted as one of the most important custodians for policy making, production and publication of the picture books for children and Adolescents. After that, a wide range of intellectuals, authors, poets and illustrators started working with this institution. Thus, a new chapter was born in the production of children picture books in Iran, as a result of which many works and books were printed and published with the participation of influential social subjects of the 60s and 70s, and made available to the public. Considering the importance of the above, It can be stated that the review of published works of this years is very important from the perspective of social developments. However, referring to the research background indicates that most of research conducted in this area are either providing descriptive and historical information or looking for visual similarities and case and shape analysis. Therefore, this research addressed this question that why, despite the movement of society in 1960s towards urbanization and urbanism, the components of rural life have been frequently reflected in children books. The aim of the present research is to identify the impact of social developments of these years on children picture books. The present research is a developmental research in terms of aim and will rely on the available concepts and theoretical basics related to the ruralism and nostalgia and social developments of the 60s and 70s, and will use these concepts in the relation to picture books of children and adolescents published during these years. In terms of data collection, this research is a library and documentary research. The present research data has been analyzed qualitatively. In this regard, by analyzing the themes and images of selected books, 15 categories were extracted, and then the existence of its textual and visual representation was examined. The present research method is descriptive- analytical. The research samples include 6 books from the books collection of children and Adolescents Intellectual Development Center’s publications, which were published between 1966- 1978 and these samples have been purposefully selected. The present research does not claim to generalize the findings to all works related to the picture books for children and adolescent in these years. According to the research findings, it can be said that there are different elements and components in the selected samples that evoke nostalgic ruralism. The components such as daily rural life, respect for nature and animals, animals role, illustrating flowers and beautiful nature, the role of shepherd or a free single, emphatic use of natural elements such as mountains, plain and …, the image of rural jobs, negative illustration of city and rural life, latent knowledge, ability and happiness in the village, lack of showing the rural life difficulties, rural characterization, evocative colors, evocative landscape, collectivism and collective work and transfer of culture and ancestors heritage are among the most important componenets that exist in both the text and the pictures of these works. So, we can say that along with the (uneven) development of city and urbanization and the spread of accelerated modernization in Iran in 1960s and 1970s, and in response to the crises caused by these changes, a kind of nostalgia to the tradition and specifically the village emerged, which has emerged in children picture books. In the form of nostalgic ruralism and idealization of rural life. These works, rather than addressing the future and present needs of children, were a place for expressing the hopes and problems with which social subjects were struggling. Because in critical conditions, the past always seems more stable and reliable than the present. In these conditions, in a contradictory way, the works that should have illustrated the future based on the present and its realities, have projected it and illustrated nostalgia to avoid it. According to the above, these works can be considered as valuable examples of the reflection of social developments.